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3-Dimensional Leadership

In the discussion around leadership, a good deal of attention is given to behavioral, ethical, and relational qualities that effective leaders possess and demonstrate. Great books and programs on excellence in leadership are abundantly available, and some of us are retrieving them from the shelves just now when good leaders seem harder to find. I recently coined a term – “Trumpence” – which I define as doing whatever it takes to put yourself first. Most of us would probably agree that putting yourself first is not the highest and surest mark of genuine leadership.

What makes a leader? Are leaders made? Or is leadership more about the auspicious timing between a situational vacuum and the right set of talents, vision, courage and determination in someone who senses in it a calling to make a difference? Can a society cultivate leaders from among its membership, or does it have to wait, more or less passively, for them to rise up of their own accord?

Human beings carry the genetic instructions for living creatively, courageously, and compassionately – a combination of virtues (not mere moral values but productive powers of life) that I equate with that otherwise elusive idea of the human spirit. In our nature we hold the potential to be aggressive or sympathetic, sensitive or willful, reactive or tolerant, observant or intrusive, curious or intuitive – or I should say, more or less these things, as each pair constitutes a spectrum of possibilities for expression.

In this sense we might say that an individual is a ‘born leader’, meaning that he or she seems to be a product of nature, a gift for our times from the generative depths of our species. The above-named traits are not inventions of culture but endowments of nature that nevertheless can be ‘nurtured’, shaped, or suppressed by social conditioning.

It’s helpful to distinguish between temperament and personality when it comes to leadership. Whereas temperament refers to an individual’s genetic inheritance (the various spectra of heritable traits), personality shifts our attention to the social project of ego formation. From the Latin persona, personality refers to the unique way that one’s temperament is filtered through the restraints, bypasses, and outlets of behavior deemed appropriate by society. What we see in a newborn is not personality but temperamental expressions, and from the very beginning we are shaping what gets expressed, and how much, through the mechanisms of social feedback.

Gradually what emerges from all this social conditioning is a separate center of personal identity, also known as ego. A human being has been formed into a cooperative member of the tribe, a ‘somebody’ who both fits in and stands out in appropriate degrees. As products of social engineering, leaders are fashioned and appointed to positions in society where they are needed. It stands to reason that times of strife and hardship might motivate the social selection and reinforcement of genetic traits that make for more aggressive, willful, and intrusive leaders – those who will ‘take the lead’, overcome obstacles, and defeat enemies. When they are effective and successful, we honor and celebrate them as tribal heroes.

So far, we have considered two dimensions of leadership: temperament and personality, genetic inheritance and social conditioning, natural endowment and cultural instruction. A good part of the contemporary discussion on leadership stays between these two horns of ‘nature versus nurture’. Are leaders born or are they made? Both ‘born and made’ seems the right answer, but there’s another dimension we need to consider.

In many posts I have argued that the formation of a separate sense of identity can either be our neurotic end or the critical passage to our fulfillment as a species. As long as ego remains inside the cage of tribal expectations and orthodox convictions, an individual cannot attain to that level of personal maturity named ego strength. This is where a stable and balanced personality, unified under the confident self-possession of a fully-formed ego, is finally capable of taking creative authority in his or her own life.

Two-dimensional leaders are functionaries of the social order, performing in roles that the tribe deems necessary. They aspire to be heroes, or at least recognized by others for their praiseworthy performance. Awards, promotions, honors, and degrees are just the social conditioning they need to persist in their efforts. Many aspire to be role models for up-and-coming leaders, demonstrating excellence in their field.

With the rise to creative authority, an individual begins to live out of a higher center. Not only natural endowment and cultural instruction, but self-determination increasingly becomes a driving force in how he or she lives. Before we explore what is unique to this third dimension of leadership, I need to qualify the idea of character.

I am using the term in its narrative sense, as when we speak of a character in story. In my post Personal Myth and the Anatomy of Character I identified four traits of a strong narrative character. Grounding refers to the degree in which a character seems to belong in the narrative setting rather than hovering above or merely drifting through it. Memory is how consistent a character is through the scene sequence of a story. Integrity is a spatial equivalent to memory, referring to the way a strong character holds its identity across different situations in the narrative. And a fourth trait of character in fiction, volition, identifies the extent to which action proceeds from its own center of will instead of just happening in reaction to circumstance.

Narrative characters who possess grounding, memory, integrity and volition are not only strong elements of great stories, they are what we find most interesting. What I call creative authority is essentially the ‘rights of authorship’ that an individual must eventually assume in composing his or her personal myth: a story of identity, meaning, and purpose.

The developmental achievement of ego strength is the leading indicator of an individual’s readiness to assume this authority. This is the point where 3-dimensional leadership begins, as the individual makes choices, takes action, and accepts responsibility for the life he or she wants to live.

We should keep in mind that just because a person may be acting in an apparently self-determined manner, a conceited, brazen, and undiplomatic character style almost always belies insecurities deeper down. Trumpence, in other words, is really an attitude of entitlement embrangled in an insatiable craving for self-importance. The counterfeit leader compensates his (or her) neurotic ego through self-inflation rather than transcending self in service to the maximal benefit of all concerned.

Our times call for leaders who are 3-dimensional: human beings who are socially attuned, whose intuition of wholeness and creative courage can inspire the highest in all of us.

 
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Posted by on March 18, 2017 in The Creative Life

 

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Personal Myth and the Anatomy of Character

characterThe diagram above illustrates my newly refined definition of religion, as a cultural system that links together (from the Latin religare) individual consciousness (or psychology, represented in the purple triangle) and the larger order of existence (or cosmology, represented in the dome overhead) by means of sacred stories (or mythology, represented in the moving wave between them) that serve to orient us in space, guide us through time, connect us to one another, and support us across the adventure of life.

Once again, I am speaking here of religion itself, not necessarily of this or that religion, numerous examples of which have indeed lost this unifying function and fallen out of relevance in our day. I’ve explored in other posts what happens when religions misread their myths by taking them literally, defend outdated models of reality, and neglect (or even condemn) the inner depths of mystical awareness. They die, but continue on in fundamentalist orthodoxies, megachurch celebrity cults, metaphysical roadshows, or militant end-time sects.

Effective and relevant religion will provide the orientation, guidance, connection, and support that individuals and communities require throughout the full course of human development. Ultimately this will also include breakthrough realizations of a ‘truth beyond’ our conventional beliefs, and of a ‘power within’, deeper even than that cherished center of personal identity (i.e., ego) which religion itself (as theism) had earlier made the focus of salvation. This post-theist excursion into a more experiential, communitarian, and globally-minded spirituality is where the evolutionary design of our human nature is headed.

In a recent post I suggested that the narrative device of Apocalypse, which can be found in all developed mythologies, is not referring to a future cataclysm of world-collapse, but instead represents a self-conscious awareness inside the mythopoetic (storytelling) process itself, of their status as sacred fictions. Outside these narrative constructions of meaning is the present mystery of reality, the terminal end of our stories and thus of the storied world itself.

If mythology has done its work – referring to the orienting, guiding, connecting, and supporting functions mentioned earlier – then we are ready for a psychological breakthrough to a more rational, responsible, and reality-oriented way of life.

My term for this liberated mode of experience is ‘creative authority’: when the individual not only sees through the constructions that had earlier draped both reality and consciousness with veils of meaning, but goes on to take responsibility as the principal author of his or her own personal myth and its associated world. If it sounds like we’re returning to life under the shroud, I must emphasize the key insight of this breakthrough realization, which is that the individual is now a self-conscious storyteller.

In other words, we have entered the ‘ironic mode’ (Northrup Frye) where the storyteller is aware of the fact that he or she is spinning narratives across a mystery that cannot be named.

This brings us to the interesting challenge of composing our own personal myth. The art of storytelling (or myth-making) is millenniums old, which means that we have a vast library and useful tools at our disposal for the project before us. In this post I want to reflect on the features of well-developed character, using this term in its literary and not so much its moral (or moralistic) sense. A character is thus a narrative personification, an identity in story who strives (Greek agon) for (as protagonist) and against (as antagonist) the plot in its unfolding. A ‘good’ character (again, not in the moral sense) is one that evinces certain traits and makes the story particularly interesting.

Our work as self-conscious storytellers of our own personal myths will involve constructing an identity for ourselves that possesses four traits in particular: memory, integrity, grounding, and volition.

Memory

In any good story, character is an identity that becomes stronger (i.e., more definite and self-consistent) over time. A character’s memory has to do with how recognizable it is with respect to what we’ve already come to know about him or her in the story up to this point. The story’s audience starts to anticipate how a character will respond by virtue of how he or she behaved in similar scenes or challenges earlier in the narrative. With growing confidence in a character’s memory, they are better able to trust his or her performance.

As we take responsibility for the construction and management of our personal identity, each of us should consider the fidelity of our character to the person we have been. This is not to suggest that we simply repeat the mistakes of our past, or that spontaneity and fresh departures are out of the question. Even if we should undergo a conversion of some sort, the memory of character will deepen our understanding and empathy for others, adding dimension and complexity to the person we are. This is an aspect of what is known as wisdom. Alternatively, neglecting the character trait of memory can make us insensitive to others, even projecting on them the dark energies of our own repressed and forgotten shadow.

Integrity

If the character trait of memory is what establishes consistency through time, then integrity is about consistency across space, or across the landscape of life situations and social engagements. A narrative character who changes dramatically from one engagement to another leaves the audience unsure as to ‘who’ will show up next. In psychology this lack of consistency across situations is evidence of ‘dissociative identity’ (formerly ‘multiple personality’), where a personality lacks sufficient ego strength to coordinate and unify otherwise diverging streams of subconscious motivation and demeanor.

In the early years of ego formation when we were being shaped, instructed, and managed by our tribe into a compliant member of the group, identity contracts dictated our role in each social situation. Now, stepping through the Apocalypse and into our own creative authority, we can take ‘authorial control’ over the person we want to be. We can join the role-play, fully aware that it is just a social convention in make-believe. Or we might take a stand for a more authentic, self-honest, re-imagined and creative way of being together. This is what Jesus called the kingdom of God.

Grounding

A ‘grounded’ character in story doesn’t simply drift above the moving scenes, essentially detached from the situational dynamics of time and setting. He or she has the feel of belonging, of being rooted in that narrative world and not just an alien passing through. In this sense the story isn’t merely ‘about’ the character, but unfolds around and through the character’s individual evolution.

My returning reader will recognize this idea of grounding from my frequent references to ‘the grounding mystery’, that inner depth of spiritual life where our personal identity sinks and dissolves into an ineffable sense of being. Of course, if ego is caught in a neurotic tangle of insecurity and self-defense, any suggestion of sinking and dissolving into something else will be vigorously resisted, and inevitably misunderstood. Creative authority requires that we ‘loosen up’ and release ourselves to the deeper process, so that we can carry that ‘power within’ into the affairs of our daily life in the world.

Volition

Our fourth and final character trait picks up with that last sentence – as we take action and work out the evolving plot of our personal myth. In story, the action of a ‘weak’ character will be determined by external events and circumstances, whereas a ‘strong’ character chooses and determines it for him- or herself. Volition (from the Latin vol for will) is about a character taking action rather than reacting, moved by an internal drive or desire. The better stories in mythology, literature, film, and stage are those that are driven by strong characters whose action seems to proceed from their center.

As we break through from a mode of role performance (acting out the instructions and expectations of our tribe) to one of role transcendence (using our role in a more purposeful and creative way), we are able to construct a personal myth that supports the life and genuine community we really want. We don’t pick up a mask of identity (a persona) because someone else tells us to, because a tradition (or consensus trance) calls for it. We can live out of our own center, for values and aims that others might not find agreeable. Our action is not about defiance or transgression, but instead arches toward a deeper, higher, or longer goal.


More and more of us are ready for the responsibility of writing our own story, of composing our own personal myth. Our tribe and culture have done their part, for better or worse, and now it’s our turn. We have finally come to realize that our identities and the worlds we inhabit are really nothing more than narrative constructions, meaningful fictions of our personal and interpersonal life.

It is time to step into our own creative authority, take leave of the gods, and become fully human. This is life after the Apocalypse.

 

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