Tag Archives: narrative construction

Whole Picture, Whole Brain

I’ll start with a proposition, and then work it out in more detail below:

The meaning of life is an ongoing construction project involving two parallel processes, communion and knowledge.

Communion refers to an experience of no-separation, where your existence is felt as not just connected to but as “one with” the rest of it. The present mystery of reality rises into manifestation as you, but also as that other, which means that both (and all) of you express into form something which is itself formless.

If that sounds overly mystical, then you should at least be able to agree that anytime you touch this thing or that thing you are touching the universe, since these (along with countless other things, both nearby and far-flung) are symptoms of a single universal event.

Knowledge, on the other hand, presupposes a separation between you and the object you presume to know (or know about). Outside and all around you revolves that same universe, but now you are looking at the qualities that differentiate one thing from another, and you from the rest. Whereas your existence manifests the grounding mystery, it also participates in a turning mystery which includes you and everything else.

From your vantage point, each thing is apprehended according to what distinguishes it and sets it apart. Gathering this information and representing it in your mind, then testing your conclusions by repeated experiences (or more rigorously by repeated experiments) is what we call knowledge.

The construction of meaning involves both processes: (1) a deep sense of communion or oneness with reality, and (2) a conceptual representation of the objective qualities that distinguish things and allow for the classifications of knowledge.

If this also sounds like the difference between spirituality and science, then you’re on to me. For the past several years, I’ve been building a case for regarding spirituality and science as inherently complementary, non-competing enterprises in our construction of meaning. They both tell stories – the myths of religion and the theories of science – but they are not telling the same kind of story.

Myths are stories of communion, and theories are stories of knowledge. One constructs meaning out of a primary experience of oneness with reality, while the other constructs meaning as a system of explanations by which reality is increasingly known.

As I tried to show in The Wheel of Fortune, a scientific theory of the primordial singularity that released energy into matter, and a religious myth of the primordial dragon whose dismemberment by a god formed the cosmic order, are not competing explanations for how the universe came to be. The theory is an explanation about how it came to be (a question of causality and evolution), while the myth is a revelation of why (a question of intention and purpose).

Today’s science still doesn’t permit any serious consideration of intentionality in the universe, most likely because that’s the step which historically has put careless scientists on a slippery slope toward the necessary postulate of god’s existence.

In fact, religious myths are not better explanations, nor do they require a belief in the objective existence of god. Myths are narrative tapestries constructed from the dramatic elements of setting, character, intention, agency, and outcome. They were designed for traditional occasions of sacred performance, when this veil (i.e., the tapestry of words and images) would be pulled aside and the community suddenly found itself in a universe awaiting their response.

Scientific theories are not composed for sacred recital, and they don’t presume any kind of back-and-forth dialogue between human intelligence and the greater universe. Knowledge without communion produces something less than meaning, something meaningless, what Albert Camus in The Rebel named “the desperate encounter between human inquiry and the silence of the universe.” Camus’ nihilism was an understandable conclusion at a time (following the Second World War) when many had lost faith in human nature and hope for the future.

The modern West has been bereft of a sense of communion for so long that we’ve grown accustomed to a feeling of homelessness in the universe. An exponential increase in our knowledge registry over the past 500 years has coincided with a steady decline in our general report on the meaning of existence.

I’m not suggesting that while science sends us into despair, our only salvation is to believe in the objective existence of god, the immortality of the soul, or the literal realities of heaven and hell. The qualifying terms “objective” and “literal” indicate that what had begun as metaphors of sacred fiction are no longer appreciated as such, but have been pressed instead into service as referents to supernatural facts.

Those who believe and defend their religion as an infallible source of knowledge are responsible for its inevitable degradation to a catalog of superstitions. Once again, the point I’m making is that spirituality – along with the form it takes in healthy religion – seeks to cultivate an experience of communion with reality, not knowledge about reality.

The best analogue of this relationship between spirituality and science is the bicameral nature of the human brain. In fact, I will contend that our best way of overcoming the current impasse with respect to defunct religion and meaningless science is to consider what goes on in our brain on the path to maturity.

My diagram places a graphic of a brain at the center of the universe, the ultimate meaning of which is the shared project of spirituality and science (as earlier proposed). The right (peach colored) hemisphere corresponds to key terms on the left side of the picture, as the left (blue colored) hemisphere corresponds to the terms on the right – in the crossover of functions characteristic of our brain.

The right hemisphere has more downward-projecting nerve pathways into lower (more primitive) brain centers and the body’s internal state. Consequently it is more “somatically gifted” than its neighbor to the left (from the Greek soma for body). It houses the neural anatomy (nerve nuclei, circuits, and networks) that facilitates our gut feelings, intuitions, hunches, and premonitions. Since our language centers are located in the left hemisphere, such experiences facilitated by the right are essentially ineffable (beyond words, indescribable, speechless).

Developmental neuroscience discovered that from the time we’re born until about age ten our right hemisphere is dominant. This doesn’t mean that nothing’s going on to the left, but that our primary mode of engaging with reality is somatic – through our body, from our gut, more emotional than rational. As newborns our right hemisphere entrained with our mother’s right hemisphere to form the empathic bond that would serve as our secure base.

The experience of communion, and hence the inspiration of spirituality and many of the earliest, most enduring metaphors of religious mythology, has its roots in this resonance of brain and body (via the right hemisphere), of our body with our mother’s body, and still deeper into the rhythms of life, “Mother Earth” and the provident universe.

Somewhere between the ages of 7 and 11, the average human brain makes a dramatic shift from the right hemisphere and into the left. The talents of our left hemisphere are semantic, focused in language, logic, analysis, reasoning, and rationality. Just as the right hemisphere communicates with, by, and through our body, the left hemisphere uses the conventions of language to participate in the collective mind of our tribe and culture. In this way we acquire a knowledge of reality that builds on the theories of others as well as on our own observations.

That word “observe” helps to distinguish the strength of our left hemisphere from that of our right. Observation presupposes a critical separation between observer and object, a separation brought about by the right-to-left shift mentioned above – a shift away but not apart from the right. Our right hemisphere takes in reality from its unique position of communion with it, which is what is meant when we “behold” something. We don’t gather intel on a separate object with our five physical senses, but rather we grasp something by our sixth sense of intuition prior to its separation as an object.

Our brain’s leftward shift can be mismanaged by culture (as it has in the modern West) into more of a severance, where the values of observing, analyzing, and explaining reality not only outweigh but drive out the right-sided virtues of beholding, contemplating, and revealing its mystery.

I suspect that our Western conflict between science and spirituality – which, I need to stress, is distinct from that between reason and superstition, or between ethical responsibility and religiously motivated terrorism – is really the cultural manifestation of our failure to integrate the two hemispheres of our brain.

What could (and would) be a normal developmental process of drawing an intuitive sense of communion with reality (right hemisphere) into our empirical knowledge about reality (left hemisphere), has instead collapsed into a sense of being adrift in an indifferent and meaningless universe. Our knowledge won’t ultimately matter – that is, it won’t support and enrich the meaning of existence – unless we can recover our communion with reality.


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In the Beginning

In the Genesis myth of chapter one, the breath (spirit) of God hovers over the primordial waters – the one element in creation that is co-eternal with God (so technically not a creation). God says, “Let there be …” and therewith issues forth light followed by the rest of the cosmic order: the dome of the sky with its sun, moon, and stars; the salt seas, freshwater rivers, and rain stores above the clouds; then comes the fertile disk of earth itself with its flora and fauna and, at last, the first humans standing squint-eyed in the radiant splendor of it all.

Now if we take the view of biblical literalists, the truth of this marvelous account lies in its factual accuracy in describing the origins of the universe and our place in it. We must think of it, that is to say, as referring to an event in the past – the very earliest past, to the beginning of time itself, whether 6,000 years ago (according to a strict literal reckoning) or fourteen billion, as proposed by modern science. Regardless, it happened long ago, and here we are.

The problems with taking the Bible literally this way are numerous, but perhaps the most serious problem is that it makes the Bible into something it isn’t. When its stories are read as eye-witness records of miracles and metaphysics, they lose their power as sacred fiction and become falsifiable. Not only scientific scrutiny, but rational logic and adult common sense must be given the privilege of testing the claims of a literal Bible. In that case, the evidence and arguments against its truth (as factual accuracy) are fully persuasive, leaving a literalist no choice but to reject science, rationality, and the obvious so the Bible can stand alone as revelation.

There is another way, which actually returns to the Bible some of its authority as holy writ. Before I demonstrate what I mean, by using the Genesis myth referenced above, we need to remember that these sacred stories were not originally rendered in writing and kept in books, but instead were composed and recited for audiences in settings of ritual performance. An often overlooked consequence of transcribing oral narratives into written documents is that the present-time immediacy of a live storytelling audition gets reduced and flattened to mere words on a page. Furthermore, the sacred act of storytelling – of bringing scenes and characters to life – is utterly eclipsed, leaving only the scenes and characters of another time and place, fixed and passive under the distancing control of the reader’s eye, susceptible to being skipped or reviewed as interest demands.

So really we should imagine an ancient ritual ceremony where the story of creation is being performed in real time, with the storyteller speaking and gesturing before a congregation in raptured imagination. What is this myth revealing, if more than factual information about how the universe came to be? One thing, certainly, is that everything starts with God, or better, with that ineffable mystery of intention and causality to which this dry and overused name refers. We’re hearing about – or are we hearing directly from? – the primal source and creative intelligence behind the world as we know it. Yes, but not about or from something else, not a supernatural or metaphysical being – back there, up there, out there.

I propose that this story is sacred because it reveals us to ourselves, as the world creators we are. My returning reader is likely familiar with my term ‘creative authority’ as referring to the achievement of self-actualization, something of an apotheosis of maturity where an individual takes responsibility for the authorship of his or her own personal myth (i.e., identity) and construction of meaning (i.e., world). Up to this point the authority has been in other hands, those taller powers (parents, guardians, and other tribal handlers) who conspire to shape youngsters into compliant members of the group. At maturity – or hopefully not long afterwards – the individual needs to step out of dependency and into self-responsible authority as a creator.

What I’m suggesting is that the one who first composed the creation myth of Genesis was not doing it for the quasi-scientific purpose of explaining how the universe came into being. Obviously he or she was not an eye witness of the events described (humans don’t show up until day six), but neither is it necessary to assume that our storyteller was simply repeating what had been revealed by divine messenger. We can reasonably suppose that he was in full possession of his faculties, that she was conscious of what she was doing. That leaves us with a decision between deliberate deception (but only if we must take the story literally) and artistic insight into the creative process. I’m going with the latter.creative-authority-flowWe need to be reminded (and then double-check the text for ourselves) that according to our myth the primordial waters is the one thing God did not create. (This insight resonates with the theory of Thales of Miletus, in ancient Greece, who was likely a contemporary of our storyteller.) The ‘formlessness and emptiness’ that preexists creation can be found in many myths worldwide, and it is generally taken as a metaphor of chaos – not the mixed-up confusion of random things, but rather the formless vibration of energy, analogous to the quantum reality of contemporary physics.

This indeterminate potentiality of chaos rises into pattern and form in its aspect as the ground of existence, in energy manifesting as this or that, crystallized in the latticework of matter, order, and meaning. But chaos is also a solvent into which these same patterns and forms will eventually disintegrate, and this is its aspect as the abyss of extinction. As ground, chaos is generativity and fullness; as abyss it is dissipation and emptiness. Should we seek security from its abyssal aspect behind our walls and defenses, the devastating outcome will be that we lose access to our grounding mystery as well. In other words, creative authority (as well as artistic creativity) requires that we stay open to chaos and learn to trust the process.

Our goal and ongoing task in any case is to live a life of purpose, which means living intentionally and taking responsibility for our choices. (It should be obvious how different this notion of purpose is from the evangelical Christian idea of a ‘purpose-driven life’, where a believer must surrender his or her will to the perfect plan of god.) And this is where three related terms come into the picture, which have not only an impressive representation in the Bible but are also found throughout the mythologies of ancient cultures: breath, voice, and word.


These three terms, in fact, name what we might think of as the three ‘moves’ in world creation – remembering that the construction of meaning is the end product of this creative process. It will help if we start with the product (the world-construct) and work in reverse along this sequence of moves. Word refers to speech and to the instrument of language itself, as the medium that enables the mind to facilitate the translation of experience into meaning. Pure (immediate) experience is meaningless until the logical units and categories of thought that filter, arrange, and frame it into significance are imposed.

Our worlds are constructs of language – conventions, narratives, mental models – that we must continually validate by spinning the scripts that keep them suspended in our imaginations. If we should lose track of the script, as in amnesia where the neural circuitry supporting it gets bumped off-line and we forget who we are, we find ourselves in a very unpleasant place – or rather, we can’t find ourselves without a context, and that’s precisely the point. This language-dependent nature of our world is a more recent rediscovery that inspired the postmodern school of constructivism.


But it’s not merely words on a page that keep our worlds suspended, but the stories we tell ourselves and others. That’s why ‘voice’ and not ‘text’ stands upstream from ‘word’. Voice is the sounding instrument that produces the word, but it cannot be reduced to the mere sound of words. Indeed, whereas words are public and shared packets of information, a voice is exquisitely individual and unique. In the Indian psychosomatic chakra system, the throat chakra is the center of personal power and self-expression. This is not about hitching onto someone else’s meaning or borrowing another’s truth, but giving ‘voice’ to one’s own perspective and will.

It’s important to realize that in the Genesis myth God didn’t merely do or say something a long time ago, but is depicted (in the act of storytelling) as speaking forth, vocalizing, and articulating the structure of reality in this very moment. The cosmic order comes into being and holds together by virtue of God’s active and sustained speech; the world is words sustained in the act of speech.


Our third and final move upstream in the creative process brings us to the very edge of chaos, to the threshold where the urgency of life in each breath that our body requires is channeled through the voice and into the words that construct our world. In ancient languages, the often refined idea of spirit (Hebrew ruach, Sanskrit prāna, Greek pneuma, Latin spiritus) has etymological roots in this very body-centered power of the breath to animate, inspire, pacify, and empower. Breath keeps the body alive while it serves our higher aspirations for meaning – in which, strictly speaking, the body has no interest whatsoever.

A more embodied notion of spirit as breath serves additionally to keep it from leaving the body for heavenly, metaphysical, or esoteric abstractions, where it has been coined by religious orthodoxies and secret societies, time and again, into something they can claim exclusively for themselves. Even a traditional reading of the Genesis myth will tend to identify the spirit that was hovering over the surface of primordial waters with a deity who is separate and far superior to what we are. In such cases the story is enervated and its revolutionary insight into our nature as world creators is locked away.

Let’s not forget, however, that worlds are constructs of meaning; that meaning is a production of words; that words are sound-bytes of speech; that the speaking voice is a channel of the breath; and that breathing is our grace between life and death.

“In the beginning” is always now.


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Between Heaven and Hell


The essential function of mythology is to link together individual consciousness (psyche; psychology) and the larger order of existence (cosmos; cosmology). Its collection of sacred stories provides the orientation, guidance, connection, and support that we need for success in the project of constructing meaning and living well. Because this project is profoundly (i.e., deeply) social, the myths were never ‘mere stories’ on the shelf for leisure reading, but great epic narratives to be recited and performed in the context of community life.

That is, until fairly recently.

As the advance of science inevitably altered our model of reality, the sacred myths which had draped and adorned this framework fell steadily out of relevance, and then soon afterwards, out of fashion as well. Without an alignment between our narrative constructions of mythology and our changing understanding of the universe, the sacred stories either had to be updated accordingly; discarded and forgotten; turned into allegories of hidden (metaphysical) secrets; or taken literally as journalistic accounts of supernatural revelations and miraculous events.

Another option would be to more directly engage the challenge of linking consciousness and existence in order to create a relevant mythology for our time. It likely won’t be about a literal heaven and hell, but rather about outer space and inner ground, the global neighborhood and sustainable community, planetary stewardship and a more perfect union.

To help in this effort, I offer an image for our consideration. The diagram above incorporates a medieval painting of the three realms – heaven, earth, and hell – a mental model widely held throughout the ancient world as depicting the structure of reality. The specific divine, human, or demonic personalities inhabiting these three realms, along with the sacred storylines (myths) that crisscrossed and weaved them together, differed, of course, from one culture and historical period to the next. My intention is not to explore and interpret the individual myths, but only to use this structural design of three realms in a way that might contribute meaningfully to a mythology for our secular and global age.

Just as the ancients understood, our experience unfolds in the middle realm of daily life. Our attention, energy, and effort get directed into those activities and concerns that conspire toward a general sense of meaning. Although we possess an animal nature in our body and its primal instincts, the special concern of human consciousness is with the affairs and challenges of our life together in community. This is where our identities are shaped and instructed with the tribe’s worldview and cache of wisdom for how to make it in the world.

Ego consciousness – the separate center of personal identity whose dual ambition to belong and be recognized, to fit in and stand out at the same time, generates both external and internal conflicts – is thus the principal denizen of this middle realm.

In another blog of mine, less philosophical and more therapeutic, I provide a simple yet highly useful schematic of 5 Domains for looking at life as a whole but also moving into the details for making the changes we desire. A recent post, titled Creators and Reactors, offered the image of a tree as a way of understanding the 5 Domains and their holistic integration.

treeA deep inner peace (tree: roots; domain: SPIRITUALITY)

nourishes vital strength (tree: trunk; domain: HEALTH), which in turn

supports genuine love (tree: branches; domain: RELATIONSHIPS), which

opens out in positive virtue (tree: leaves; domain: CHARACTER), and ultimately

produces a life of creative purpose (tree: fruit; domain: LIFEPLAN)

Each of the 5 Domains holds a relatively small set of basic obligations that must be fulfilled on a regular basis in order to optimize the quality of life in that domain. For example, an optimized spirituality requires that we give time to quiet reflection and finding our way to that still place at the center of our existence (which I call The Clearing) through such meditation practices as mindful breathing, contemplation, and centering prayer. A calm body and centered mind are conducive to an inner release to the grounding mystery and its ineffable intuition of oneness.

Without such practices – or worse, through the uncontrolled spin-out in frantic or mindless activity – our spirituality doesn’t get the investment it needs to be the nourishing root system of our life.

The middle realm, then, is where we either take responsibility for the variety of obligations across our 5 Domains, or otherwise neglect them, ignore them, avoid them, and put them off till ‘later’. But here we are: faced with the things that need our attention, standing at a ‘Y’ in our path. Depending on the choice we make at this point, our consciousness and quality of life will either shift upward or downward, into an upper realm or a lower realm, heaven or hell.

Once again, I am not using these terms as references to different locations in the universe, and not even as metaphysical dimensions of reality. Instead, they are meant to indicate distinct registers of consciousness – moods, motivations, attitudes, and perspectives (in short, mindsets) – that link psyche and cosmos by very different stories and contrary mythologies.

So that we can end this post on a positive note, let’s begin with the descent into hell.


When we are irresponsible with the obligations of wellbeing, not taking care of the things that elevate our quality of life across the 5 Domains, our general picture begins to degenerate into something quite unpleasant. Remember those simple practices of spirituality that deepen our sense of inner peace? When we neglect or avoid them, the opposite of inner peace takes its place: insecurity. Instead of releasing our separate identity (ego) to the grounding mystery within, we desperately struggle to keep from falling into the abyss of extinction.

Let’s play this all the way out.

Our spiritual insecurity signals the body to release stress hormones, keeping us hypervigilant and defensive, but also suspending metabolic and immunity functions in the interest of emergency action. And when we’re all neurotic and knotted up in this way, how does it go in our relationships? Not well. We tend to be reactive, suspicious, distrustful, and self-absorbed. We also pull other equally neurotic partners into our life, forming dysfunctional and codependent attachments that serve to confirm and reinforce our general anxiety over the state of things. The problem here is that our character continues to be shaped and instructed in this negative social milieu, which means that we become takers and consumers, grasping for our share and ripping into anyone who threatens our stash. Finally, as it concerns our lifeplan and vision for the future – well, there’s just no energy or time for that. Holding off the next catastrophe has become our full-time obsession.

I think that’s a pretty good description of hell, don’t you? The urgency of a life out of balance and collapsing upon itself; a hostage of our own convictions, a captive of destructive forces, bound by fear and feeling stuck in a hole that just keeps getting deeper. Hell is the deepest of all depressions.

Or … we might choose the other way.


Taking responsibility in the obligations of wellbeing means that we don’t wait around for someone else to live our life or save us from our problems. We do what is necessary and required in order to optimize our quality of life in all 5 Domains. We cultivate inner peace, make healthy choices, love others (even those who oppose us), serve the greater good, and relentlessly pursue a more perfect union.

Heaven really isn’t that far away. Indeed it’s been right here all the time, just waiting for us to enter. As Jesus says in the Gospel of Luke, “The kingdom of God is within/among you” (Luke 17:21). All the great wisdom teachers of history are in fundamental agreement on one thing: When we know the truth, the truth will make us free.


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Personal Myth and the Anatomy of Character

characterThe diagram above illustrates my newly refined definition of religion, as a cultural system that links together (from the Latin religare) individual consciousness (or psychology, represented in the purple triangle) and the larger order of existence (or cosmology, represented in the dome overhead) by means of sacred stories (or mythology, represented in the moving wave between them) that serve to orient us in space, guide us through time, connect us to one another, and support us across the adventure of life.

Once again, I am speaking here of religion itself, not necessarily of this or that religion, numerous examples of which have indeed lost this unifying function and fallen out of relevance in our day. I’ve explored in other posts what happens when religions misread their myths by taking them literally, defend outdated models of reality, and neglect (or even condemn) the inner depths of mystical awareness. They die, but continue on in fundamentalist orthodoxies, megachurch celebrity cults, metaphysical roadshows, or militant end-time sects.

Effective and relevant religion will provide the orientation, guidance, connection, and support that individuals and communities require throughout the full course of human development. Ultimately this will also include breakthrough realizations of a ‘truth beyond’ our conventional beliefs, and of a ‘power within’, deeper even than that cherished center of personal identity (i.e., ego) which religion itself (as theism) had earlier made the focus of salvation. This post-theist excursion into a more experiential, communitarian, and globally-minded spirituality is where the evolutionary design of our human nature is headed.

In a recent post I suggested that the narrative device of Apocalypse, which can be found in all developed mythologies, is not referring to a future cataclysm of world-collapse, but instead represents a self-conscious awareness inside the mythopoetic (storytelling) process itself, of their status as sacred fictions. Outside these narrative constructions of meaning is the present mystery of reality, the terminal end of our stories and thus of the storied world itself.

If mythology has done its work – referring to the orienting, guiding, connecting, and supporting functions mentioned earlier – then we are ready for a psychological breakthrough to a more rational, responsible, and reality-oriented way of life.

My term for this liberated mode of experience is ‘creative authority’: when the individual not only sees through the constructions that had earlier draped both reality and consciousness with veils of meaning, but goes on to take responsibility as the principal author of his or her own personal myth and its associated world. If it sounds like we’re returning to life under the shroud, I must emphasize the key insight of this breakthrough realization, which is that the individual is now a self-conscious storyteller.

In other words, we have entered the ‘ironic mode’ (Northrup Frye) where the storyteller is aware of the fact that he or she is spinning narratives across a mystery that cannot be named.

This brings us to the interesting challenge of composing our own personal myth. The art of storytelling (or myth-making) is millenniums old, which means that we have a vast library and useful tools at our disposal for the project before us. In this post I want to reflect on the features of well-developed character, using this term in its literary and not so much its moral (or moralistic) sense. A character is thus a narrative personification, an identity in story who strives (Greek agon) for (as protagonist) and against (as antagonist) the plot in its unfolding. A ‘good’ character (again, not in the moral sense) is one that evinces certain traits and makes the story particularly interesting.

Our work as self-conscious storytellers of our own personal myths will involve constructing an identity for ourselves that possesses four traits in particular: memory, integrity, grounding, and volition.


In any good story, character is an identity that becomes stronger (i.e., more definite and self-consistent) over time. A character’s memory has to do with how recognizable it is with respect to what we’ve already come to know about him or her in the story up to this point. The story’s audience starts to anticipate how a character will respond by virtue of how he or she behaved in similar scenes or challenges earlier in the narrative. With growing confidence in a character’s memory, they are better able to trust his or her performance.

As we take responsibility for the construction and management of our personal identity, each of us should consider the fidelity of our character to the person we have been. This is not to suggest that we simply repeat the mistakes of our past, or that spontaneity and fresh departures are out of the question. Even if we should undergo a conversion of some sort, the memory of character will deepen our understanding and empathy for others, adding dimension and complexity to the person we are. This is an aspect of what is known as wisdom. Alternatively, neglecting the character trait of memory can make us insensitive to others, even projecting on them the dark energies of our own repressed and forgotten shadow.


If the character trait of memory is what establishes consistency through time, then integrity is about consistency across space, or across the landscape of life situations and social engagements. A narrative character who changes dramatically from one engagement to another leaves the audience unsure as to ‘who’ will show up next. In psychology this lack of consistency across situations is evidence of ‘dissociative identity’ (formerly ‘multiple personality’), where a personality lacks sufficient ego strength to coordinate and unify otherwise diverging streams of subconscious motivation and demeanor.

In the early years of ego formation when we were being shaped, instructed, and managed by our tribe into a compliant member of the group, identity contracts dictated our role in each social situation. Now, stepping through the Apocalypse and into our own creative authority, we can take ‘authorial control’ over the person we want to be. We can join the role-play, fully aware that it is just a social convention in make-believe. Or we might take a stand for a more authentic, self-honest, re-imagined and creative way of being together. This is what Jesus called the kingdom of God.


A ‘grounded’ character in story doesn’t simply drift above the moving scenes, essentially detached from the situational dynamics of time and setting. He or she has the feel of belonging, of being rooted in that narrative world and not just an alien passing through. In this sense the story isn’t merely ‘about’ the character, but unfolds around and through the character’s individual evolution.

My returning reader will recognize this idea of grounding from my frequent references to ‘the grounding mystery’, that inner depth of spiritual life where our personal identity sinks and dissolves into an ineffable sense of being. Of course, if ego is caught in a neurotic tangle of insecurity and self-defense, any suggestion of sinking and dissolving into something else will be vigorously resisted, and inevitably misunderstood. Creative authority requires that we ‘loosen up’ and release ourselves to the deeper process, so that we can carry that ‘power within’ into the affairs of our daily life in the world.


Our fourth and final character trait picks up with that last sentence – as we take action and work out the evolving plot of our personal myth. In story, the action of a ‘weak’ character will be determined by external events and circumstances, whereas a ‘strong’ character chooses and determines it for him- or herself. Volition (from the Latin vol for will) is about a character taking action rather than reacting, moved by an internal drive or desire. The better stories in mythology, literature, film, and stage are those that are driven by strong characters whose action seems to proceed from their center.

As we break through from a mode of role performance (acting out the instructions and expectations of our tribe) to one of role transcendence (using our role in a more purposeful and creative way), we are able to construct a personal myth that supports the life and genuine community we really want. We don’t pick up a mask of identity (a persona) because someone else tells us to, because a tradition (or consensus trance) calls for it. We can live out of our own center, for values and aims that others might not find agreeable. Our action is not about defiance or transgression, but instead arches toward a deeper, higher, or longer goal.

More and more of us are ready for the responsibility of writing our own story, of composing our own personal myth. Our tribe and culture have done their part, for better or worse, and now it’s our turn. We have finally come to realize that our identities and the worlds we inhabit are really nothing more than narrative constructions, meaningful fictions of our personal and interpersonal life.

It is time to step into our own creative authority, take leave of the gods, and become fully human. This is life after the Apocalypse.


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