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Truth In Christian Mythology

One of the challenges in clarifying a post-theistic spirituality has to do with the fact that its principal concern – what I name the present mystery of reality – is impossible to define. While it is always and only right here, right now, any attempt to put a name and definition around it only manages to conceal the mystery under a veil of meaning.

Our need for certainty might be temporarily satisfied, but in the meantime the curtain of mental tapestry has separated us from what’s really real.

If we could acknowledge that this is what we’re doing, these veils would stand a better chance of parting before the mystery and facilitating a fresh encounter of our mind with reality. But while constructivism makes such an acknowledgment central to its method, orthodoxy, in every cultural domain and not only religion, cannot admit this either to its constituencies of believers or even to itself.

Our mind has a tendency to fall in love with its constructions, to get lost in its own designs. Meaning is something we can control, since it is, after all, our peculiar invention. Mystery – not even “on the other hand” since this puts it on the same axis as meaning – requires an open mind, not one boxed inside its own conclusions.

Our best constructs don’t amount to final answers but better – deeper, larger, and farther reaching – questions.

With the rise of science, the truth of our constructions of meaning (called theories) has become more strongly associated with how accurate they are as descriptions, explanations, and predictions of what’s going on around us – that is, in the factual realm external to our mind. (Even the scientific understanding of our body posits it as something physical, objective, and separate from the observing, analytical mind.)

In the meantime and as a consequence of this growing fascination with objectification, measurement, and control, we have gradually lost our taste and talent for a very different kind of narrative construction. One that doesn’t look out on a supposedly objective reality but rather contemplates the grounding mystery of existence itself.

Myths have been around far longer than theories, and one of the early mistakes of science was to assume that these ancient stories were just ignorant efforts at explaining a reality outside the mind.

Deities and demons, fantastical realms, heroic quests, and miraculous events – the familiar stuff of myths: such were not validated under scientific scrutiny and had to be rejected on our advance to enlightenment. Religion itself fell into amnesia, relinquishing its role as storyteller and settling into the defense of a supernatural realm above the natural realm, or (trying to seem more scientific) a metaphysical realm behind the physics of science.

Otherwise, religion agreed to keep its focus on morality and the life to come.

The theism-atheism debate is relevant here and only here, where the factual (i.e., supernatural, metaphysical) existence of god makes any sense. Theists insist that their stories are literally true and the mythological god is real, while atheists claim they are not, for obvious reasons. Theists profess the necessity of believing in god’s existence as a matter of faith, whereas atheists rightly point out that believing anything without the evidence or logic to support it is intellectually irresponsible.

They are both at a stalemate. We need to move on …

Post-theism provides a way out of this predicament by challenging us to put aside both metaphysics and physics as we reconsider these timeless myths. Their truth is not a matter of factual explanation but mystical revelation – or if you prefer, artistic revelation, precisely in the way a true work of art presents us with an artifact to contemplate and then draws back this veil on a present mystery. This mystery is the here-and-now experience that inspired the artist to begin with.

As revelation, however, it is not a look at someone else’s past experience of the here-and-now but offers a spontaneous insight for the beholder into the deep mystery of This Moment.

To show what I mean, let’s take the central myth of Christianity which has been summarized by orthodoxy in the doctrines of the incarnation, crucifixion, and resurrection of Jesus Christ. But whereas Christian orthodoxy has attached these exclusively to the historical figure of Jesus, that is to say, to a person in the past, we will regard him instead as an archetypal figure, as an instance of what Joseph Campbell named The Hero.As Campbell demonstrated, this Hero has ‘a thousand faces’ reflecting the divers cultures and epochs where his (and her) stories are told – stories that can be interpreted and understood archetypally as about ourselves.

The Hero, then, is our ego, or the self-conscious center of personal identity that each of us is compelled to become. My diagram illustrates this journey of identity with an arching arrow representing the linear path of our individual lifespan. Personal identity is not something we’re born with, and its character cannot simply be reduced to our genes and animal temperament.

Quite otherwise, identity must be constructed, and its construction is a profoundly social project involving our parents and other taller powers, along with siblings and peers who make up our cohort through time.

Just as the Hero’s destiny is to serve as an agent of cultural aspirations (a struggle against fate), progress (a counter to the stabilizing force of tradition), and creativity (as an instigator of new possibilities), so does his or her path chart the trend-line and opportunities associated with our higher evolution as a species.

Briefly in what follows I will translate the incarnation, crucifixion, and resurrection of Jesus Christ as representing three primary stages in the Hero’s Journey each of us is on.

What I call the grounding mystery of reality is all that has transpired to bring forth our existence as human beings. This refers not only to the causal sequence of events leading up to us, but each distinct manifestation of the universe making up our present nature as physical, organic, sentient, and self-conscious individuals.

From our position of ego consciousness we look ‘down’ into the ground of what we essentially are.

As mentioned earlier, it is our socially constructed center of separate identity (ego) that arcs in its journey out, away, and eventually back to the grounding mystery. Because personal identity is socially constructed and independent of genetic inheritance, the start of its journey is represented in the myths as something of a vertical drop from another realm. The Hero may simply show up, but frequently in myths its advent comes about by way of a virgin birth.

Staying with this natal imagery, our best description would be to say that ego is spontaneously conceived (or ‘wakes up’) in the womb of the body.

The longer process of ego formation involves the attachments, agreements, and assignments that conspire to identify us as somebody special and separate from the rest. Our tribe provides us (or so we can hope) with models of maturity, responsibility, and virtue, in the taller powers of adults who watch over us; but also in the construct of a personal deity who exemplifies the perfection of virtue.

In my diagram I have colored the construct of god with a gradient ranging from purple (representing the grounding mystery) to orange (representing ego consciousness), in order to make the point that god is not merely another being, but the personified ground of being as well as the exalted ideal of our own waking nature.

But at the very apex of ego’s formation, just as we come to ourselves as special and separate from the rest, another realization dawns: that we are separate and alone. In the heroic achievement of our unique individuality we also must somehow accept (or otherwise resign to) the full burden of our existence as solitary and mortal beings.

In the Christian myth this is represented by Jesus on the cross when he cries out, “My god, my god, why have you forsaken me?!” (Mark 15:34)

As a narrative mechanism, the cross thrusts our Hero away from the earth but not quite into heaven either, where he hangs in a grey void of isolation, exposure, and abandonment. This is the crucial (‘cross-shaped’ or ‘cross-over’) point that can lead either to utter despair, a desperate craving for security and assurance, or to the breakthrough of genuine awakening.

Which way it goes will depend on our ability to sustain this shock of loneliness and look not away but through it to a transpersonal view of life.

It’s not a coincidence that Jesus’ followers recognized his cross as central to his vision of the liberated life. It was a visual depiction of his core message (gospel) concerning the necessity of dying to one’s separate and special self, whether that specialness is based in a felt sense of pride and superiority, or in shame and inferiority. Both, in fact, can equally fixate ego on itself and keep us from authentic life.

Only by getting over ourselves can we enter into conscious communion with others and with the greater reality beyond us.

Entering into the authentic life of a transpersonal existence brings us to the third stage of our Hero’s journey: resurrection. This isn’t a recovery of our former life but an elevation of consciousness to the liberated life, to what I also call our creative authority as individuals in community. In the Christian myth this higher state of the liberated life is represented in the symbol of an empty tomb, which plays opposite to the virgin womb as the locus of our Hero’s ‘second birth’, set free from the constraints of insecurity, ambition … and belief.

From a post-theistic perspective, one gift of the liberated life is a grace to live in full acceptance of our own mortality, of the passing nature of things, and of the deep abyss in the face of which our most cherished veils of meaning dissolve away.

 

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